Here are photos from our recent trip to Gaziantep.

You may visit the Gallery Link. The first 2 items are the most precious pieces. First one is “Mars”, Roman’s war God, and the second one is? the “Gypsy Girl” . The Mars statue found in Zeugma is probably one of the best versions ever known. The eyes are made from silver with surrounding gold, while the main statue is bronze.

Information about “Mars” taken from Wikipedia:

Mars was the Roman god of war, the son of Juno and Jupiter, husband of Bellona, and the lover of Venus. He was the most prominent of the military gods that were worshipped by the Roman legions. The martial Romans considered him second in importance only to Jupiter (their main god). His festivals were held in March (named for him) and October. As the word Mars has no Indo-European derivation, it is most likely the Latinised form of the agricultural Etruscan god Maris. Initially Mars was a Roman god of fertility and vegetation and a protector of cattle, fields and boundaries and farmers. In the second century BC, the conservative Cato the Elder advised “For your cattle, for them to be healthy, make this sacrifice to Mars Silvanus you must make this sacrifice each year”.[1] Mars later became associated with battle as the growing Roman Empire began to expand, and he came to be identified with the Greek god Ares. Unlike his Greek counterpart, Mars was generally revered and rivaled Jupiter as the most honoured god. He was also the tutelary god of the city of Rome. As he was regarded as the legendary father of Rome’s founder, Romulus, it was believed that all Romans were descendants of Mars.

And the photo on the right is the famous “Gypsy Girl”, a small piece of the mosaic from Zeugma.

Also some genaral information about Zeugma:

The ancient city of Zeugma was originally founded as a Greek settlement by Seleucus I Nicator, one of the generals of Alexander the Great, in 300 BC. King Seleucus almost certainly named the city Seleucia after himself; whether this city is, or can be, the city known as Seleucia on the Euphrates or Seleucia at the Zeugma is disputed. The population in the city at its peak was approximately 80,000.

In 64 BC Zeugma was conquered and ruled by the Roman Empire and with this shift the name of the city was changed into Zeugma, meaning “bridge-passage” or “bridge of boats”. During Roman rule, the city became one of the attractions in the region, due to its commercial potential originating from its geo-strategic location because the city was on the Silk Road connecting Antioch to China with a quay or pontoon bridge across the river Euphrates which was the border with the Persian Empire until the late 2nd century.

In 256, Zeugma experienced an invasion and it was fully destroyed by the Sassanid king, Shapur I. The invasion was so dramatic that Zeugma was not able to recover for a long time. To make the situation even worse, a violent earthquake buried the city beneath rubble. Indeed, the city never regained the prosperity once achieved during the Roman rule.

Zeugma and environs remained part of the Roman empire. During the 5th and 6th centuries the city was ruled by the Early Byzantium or Eastern Roman Empire. As a result of the ongoing Arab raids the city was abandoned once again. Later on, in the 10th and 12th centuries a small Abbasid residence settled in Zeugma.

Finally a village called Belkis was founded in the 17th century.

Bergama, Ancient Pergamon

The gallery link is here. More photos will be added in a short time.

From Wikipedia:
Pergamon, Pergamum or P?rgamo (in Greek, ????????) was an ancient Greek city in modern-day Turkey, in Mysia, today located 16 miles (26 km) from the Aegean Sea on a promontory on the north side of the river Caicus (modern day Bak?r?ay), that became the capital of the Kingdom of Pergamon during the Hellenistic period, under the Attalid dynasty, 281?133 BC. Today, the main sites of ancient Pergamon are to the north and west of the modern city of Bergama.

The Attalid kingdom was the rump state left after the collapse of the Kingdom of Thrace.

The Attalids, the descendants of Attalus, father of Philetaerus who came to power in 281 BC following the collapse of the Kingdom of Thrace, were among the most loyal supporters of Rome in the Hellenistic world. Under Attalus I (241-197 BC), they allied with Rome against Philip V of Macedon, during the first and second Macedonian Wars, and again under Eumenes II (197-158 BC), against Perseus of Macedon, during the Third Macedonian War. For support against the Seleucids, the Attalids were rewarded with all the former Seleucid domains in Asia Minor.

The Attalids ruled with intelligence and generosity. Many documents survive showing how the Attalids would support the growth of towns through sending in skilled artisans and by remitting taxes. They allowed the Greek cities in their domains to maintain nominal independence. They sent gifts to Greek cultural sites like Delphi, Delos, and Athens. They defeated the invading Celts. They remodeled the Acropolis of Pergamo after the Acropolis in Athens. When Attalus III (138-133 BC) died without an heir in 133 BC he bequeathed the whole of Pergamon to Rome, in order to prevent a civil war.

According to Christian tradition, the first bishop of Pergamon, Antipas, was martyred there in ca. 92 AD. (Revelation 2:13)

The Ottoman Sultan Murad III had two large alabaster urns transported from the ruins of Pergamon and placed on two sides of the nave in the Hagia Sophia in Istanbul.

The Great Altar of Pergamon is in the Pergamon Museum, Berlin. The base of this altar remains on the upper part of the Acropolis. It was perhaps to this altar, believed dedicated to Zeus, that John of Patmos referred to as “Satan’s Throne” in his Book of Revelation (Revelation 2:12-13).

Other notable structures still in existence on the upper part of the Acropolis include:

* The Hellenistic Theater with a seating capacity of 10,000. This had the steepest seating of any known theater in the ancient world.[2]
* The Sanctuary of Trajan (also known as the Trajaneum)
* The Sanctuary of Athena
* The Library a.k.a. Athenaeum[citation needed]
* The Royal palaces
* The Hero?n – a shrine where the kings of Pergamon, particularly, Attalus I and Eumenes II, were worshipped.[3]
* The Temple of Dionysus
* The Upper Agora
* The Roman baths complex

Pergamon’s library on the Acropolis (the ancient Library of Pergamum) is the second best in the ancient Greek civilization.[4] When the Ptolemies stopped exporting papyrus, partly because of competitors and partly because of shortages, the Pergamenes invented a new substance to use in codices, called pergaminus or pergamena (parchment) after the city. This was made of fine calfskin, a predecessor of vellum. The library at Pergamom was believed to contain 200,000 volumes, which Mark Antony later gave to Cleopatra as a wedding present.
Lower Acropolis

The lower part of the Acropolis has the following structures:

* the Upper Gymnasium
* the Middle Gymnasium
* the Lower Gymnasium
* the Temple of Demeter
* the Sanctuary of Hera
* the House of Attalus
* the Lower Agora and
* the Gate of Eumenes

Edirne is one of the former capital cities of Ottoman empire. However it is better known with the Selimiye mosque.

Selimiye Mosque gallery link is here.

In case you are interested in other photos from Edirne, then you may follow this link as well.

A general inner view is given below together with information taken from Wikipedia.

From Wikipedia:
The Selimiye Mosque (Turkish: Selimiye Camii) is an Ottoman mosque in the city of Edirne, Turkey. The mosque was commissioned by Sultan Selim II and was built by architect Mimar Sinan between 1568 and 1574. It was considered by Sinan to be his masterpiece and is one of the highest achievements of Islamic architecture.

This grand mosque stands at the center of a k?lliye (complex of a hospital, school, library and/or baths around a mosque) which comprises a medrese (Islamic academy teaches both Islamic and scientific lessons), a dar-?l hadis (Al-Hadith school), a timekeeper’s room and an arasta (row of shops). In this mosque Sinan employed an octagonal supporting system that is created through eight pillars incised in a square shell of walls. The four semi domes at the corners of the square behind the arches that spring from the pillars, are intermediary sections between the huge encompassing dome (31.25m diameter with spherical profile) and the walls.

While conventional mosques were limited by a segmented interior, Sinan’s effort at Edirne was a structure that made it possible to see the mihrab from any location within the mosque. Surrounded by four tall minarets, the Mosque of Selim II has a grand dome atop it. Around the rest of the mosque were many additions: libraries, schools, hospices, baths, soup kitchens for the poor, markets, hospitals, and a cemetery. These annexes were aligned axially and grouped, if possible. In front of the mosque sits a rectangular court with an area equal to that of the mosque. The innovation however, comes not in the size of the building, but from the organization of its interior. The mihrab is pushed back into an apse-like alcove with a space with enough depth to allow for window illumination from three sides. This has the effect of making the tile panels of its lower walls sparkle with natural light. The amalgamation of the main hall forms a fused octagon with the dome-covered square. Formed by eight massive dome supports, the octagon is pierced by four half dome covered corners of the square. The beauty resulting from the conformity of geometric shapes engulfed in each other was the culmination of Sinan’s life long search for a unified interior space.